Music production with Live and Push | Ableton.Which would you recommend using to make electronic music: Ableton Live 9 or Logic Pro X? - Quora

Looking for:

Ableton vs Logic: Which DAW is Better and Why 

Click here to DOWNLOAD

   

 

Ableton live 9 vs logic pro x free -

 

Just turn it on and your keyboard is not able to send MIDI signals. As with the changing mouse tool in the arrange view, most things in Live are right there in front of you and do not require key commands or sub-menus. Editing using the piano roll is quick and often activated like every digital audio workstation, by simply clicking the MIDI clip. Logic Pro's process is more or less identical.

Slim to zero sub-menus are contained and interesting sounds come are conjured up in an instant while creating organic sounding music. Logic's long development history has made it a MIDI titan in the digital world. Ableton Live does pale in comparison to it. For starters, the toolset is greater and, because key commands can be used, is much snappier once you get used to them. Also, the event list editor displays handy inspector-based MIDI in an easy-to-read manner, allowing you to edit all of the MIDI data that's been entered.

MIDI editing can become quite a granular process if you'd like it to be. Recording MIDI loops in Logic Pro X has its own set of features, in which you can choose between creating a folder of takes to later comb through and comp, merging all the takes into a single MIDI file, overlap notes, a combination of overlapping and merging, or creating a completely new track. Logic may have my favorite DAW-based drum sequencer. However, Logic's retro synth, Ultrabeat drum machine, though slightly old in its UI design, is an incredible piece of music technology.

As one of the most trusted MIDI stock plugins Logic has to offer, it has withstood the test of time from a functionality standpoint. A full kit contains 25 MIDI voices, the 25th moving up a chromatic scale, becoming a nice bonus sampler, and potentially one less sampler track that you'll need in your session, saving another MIDI voice.

Users who are comfortable with performing with an iPad will surely appreciate the usability and portability of the remote app. Good old-fashioned button pushers and knob twisters may want something a little more tangible. I think it's safe to say that Ableton Live takes the cake for controller integration. The Push 2 integrates into Ableton so much so, that you don't even have to touch the computer at all when you're using it.

You can move through menus, select sounds, instruments, warp, slice to 64 pads, play chords, scales, modes, make MIDI loops, and launch clips. If you're looking to perform live with a controller specifically and are trying to decide between Ableton Live vs. Logic Pro, trust the namesake. When it comes to audio recording, Logic Pro X is equipped with enough features to execute both small format and large format projects. Whether you're at home using your live instruments, or in a professional recording studio executing a multitrack recording of a player brass band, Logic Pro X is an effective tool.

Live performers will also appreciate the low latency mode it has so that they can record with a very minimal delay so as not to get distracted while overdubbing. Grouping, an age-old recording concept, has also been enhanced by Logic Pro X. If you need to send multiple sources to one place, i. You can also choose whether you'd like to sub-mix them or simply make folders for organizational purposes during your mix.

Since around Logic For music, you'd be hard-pressed to use that many, but you never know. If you do get to the point where your system is starting to become sluggish due to high DSP usage, you can initiate CPU-saving track freezing. Track freezing will freeze the desired tracks, along with all of their processing, and disable everything on the given track.

This feature is simply not possible in Ableton Live. So if you're planning on large format recording and mixing, that is something to consider. Logic and Live each support any Mac OS interface, or third-party plugins of your choice, and you can assign multiple devices if you want to have separate input and output for any reason something that Pro Tools cannot do.

You can also set up hardware inserts and use your outboard gear as external plugins. Logic's deeper editing makes for quick and easy decision-making. As explained in the session view section, there is an in-depth toolset that you can slice, fade, loop, select, pencil in automation with, mute clips, solo clips, and the list goes on.

You can quickly come up with whichever combination works for you and your use case, and commit it to muscle memory so you can fly through editing projects. Through Logic's audio effects menus, Logic Pro boasts a wide range of excellent sounding dynamics plugins, integrated channel EQ with sonic visualizer, and time-based processors, such as reverbs, delays, flangers, phasers, etc.

All of which can stand their ground with any popular third-party plugin manufacturers. Another thing to consider when you're factoring things into your budget. So, in the Ableton vs. Logic conversation for recording software, Logic is quite obviously a more fully-featured product.

However, if you're needs are not as vast as explained above, Ableton Live can do the trick. Maybe you're just recording one thing at a time, just making loops and simple overdubs as you put your composition together. Maybe there's no need to record and play multiple instruments at large track counts.

Of course, if you're recording and live to loop, Ableton Live's quick and simplistic approach might be more desired. The effect plugins don't sound the same, and I've yet to do a shootout with the originals vs. If you're a guitar player and do a lot of recording, instead of micing an amp and recording the distortion, EQ, and compression right into the audio file, you can record dry and affect the signal later with these, pretty genuine sounding, guitar pedal plugin effects.

Useful for any instruments, samples, percussion sounds, vocals, really anything that you need to get a bit dirty, distorted, phased, or alien with a ring modulator. Logic also of course has the classic Delay Designer, Tape Delay, and Space Designer reverb - older plug-ins that have withstood the test of time because of how well they were made.

You can trust Logic's long development history and one thing they've always done exceptionally well; made time-based processing plug-in effects. The Tape Delay, another stalwart, sounds realistic and warm, akin to the classic Roland RE, which they most likely were going for in the development process.

The Space Designer stays true to its namesake and allows you to design artificial space via impulse responses that you can record using the IR Utility app that gets launched via Space Designer itself. If you're trying to create a specific reverb sound, impulse responses can sometimes be your best bet. The IR Utility app is a little flustering at first, and something I wish they'd have just integrated into Logic Pro why go outside of a recording app to record?

If you're looking to mangle sounds into oblivion - but maintain a great sonic aesthetic, Ableton Live will not disappoint. Sure they have time-based processing effects like Logic Pro, but they also have great effects that can twist, stutter, warp, and stretch. They have unique effects, like Spectral Time, which is a mix between a looper and a delay and creates these nice "spectral smearing" sounds that are good for transitions or just to experiment with.

Experimentation and Max MSP go hand in hand. Whereas Logic Pro X does have everything you need to create from scratch and polish up an amazing song. Max for Live is the type of tool that helps artists and producers create new genres. Take Sonic Faction's Probability pack for instance which is free, by the way. The special thing about this suite of sequencer effect plugins is the fact that you can alter the probability of which different events and parameters occur.

You can choose between melodic probability, rhythmic probability, probability of arpeggios, or just plain chaos, where melodies get created at random. Tools like these make tinkering for new sounds enjoyable On the functional side, Live also sports audio effects like the age-old Auto Filter.

Every digital audio workstation probably has something similar, a filter attached to an LFO that you can set to automatically modulate as desired. Though simple in theory, it's a very effective tool and sounds great on vocals, guitars, keys, strings, drums, basically anything that needs just a hint of movement but should remain subtle. It's a compressor, saturator, exciter, transient designer, and sub-harmonic enhancer, all in one.

I find it to be one of the most useful tools on drums and have found a use for it elsewhere on vocals, pads, and string samples. You can use it on anything that you want to stand out in the mix.

It certainly goes to bat with renowned third-party plugin manufacturers like Waves, Izotope, SoundToys, etc. When it comes to a live performance DAW and "clip-launch" functionality, Ableton vs. Logic was never a conversation. Ableton was the only DAW that executed that workflow in the same way that a DJ would cue songs and mix in and out using smooth transitions. Sure, you could hook your computer up to a mixer with a multitrack of a bunch of songs, but that's clunky and very prone to error on stage.

With Live, the ease of layout and workflow was a game-changer. The concepts are simple; load songs onto a single track vertically and clicking play on subsequent tracks will count in, then stop the previous track. Or, create a new track and load up songs that will play simultaneously as other tracks that are playing. Each space on a track is a stop button for the currently playing clip on that track. That's it. A fail-proof auto-cue system that made everyone who had a laptop and Ableton Live a DJ.

Furthermore, you can optimise almost anything according to your unique workflow. Ableton Live 10 currently comes with 17 instruments and 59 audio effects. Logic Pro X on the other hand, boasts 24 instruments and a whopping 70 built-in effects. It offers two main oscillators plus a third sub oscillator which you can use to shape, bend, squeeze and morph hundreds of wavetables to your hearts content. These wavetables are derived from classic, synthetic or real-instrument waveforms.

Wavetable also offers two filters, endless modulation options, presented with a gorgeous, easy-to-use interface. Not only that, but it sounds magnificent. Each of these plugins comes with a ton of presets, giving you a vast amount of creative possibilities. When it comes to virtual instruments, one of Logics most prized possessions is the iconic synth Alchemy.

Alchemy is a disgustingly powerful synthesizer packaged with over unique sounds and an expansive array of on-board parameters and controls. It also has multiple sound-generating engines, including additive, spectral, formant, granular and virtual analog. Plus, it can act as a sampler instrument for warping importing sound files.

Other personal highlights of Logic instruments are ES2 another wavetable synth and Sculpture a unique physical modelling instrument based on real-world glass, wood and other material sounds.

Click here to view the full list of effects in all their glory. On top of that, if you were to purely compare the numbers, Logic has more instruments that Ableton. This activates quick swipe behaviors, allowing you to create and edit comps with incredible fluidity and precision.

If live performance is your primary reason for searching for the right DAW, Ableton should be on the top of your list. At the end of the day, neither of these DAWs is objectively superior.

However, I would definitely recommend looking into the trial versions of these products first before taking the plunge. At the end of the day, neither choice is the wrong choice, and both these programs are incredible for producing music for both beginners and experienced producers.

Which DAW should I use? What is a DAW? Definition and Guide for Beginners.

 

Logic Pro vs Ableton: Which is The Better DAW? - Guitar Space.

 

The following article provides an outline for Figma vs Ableton live 9 vs logic pro x free XD. Figma and Adobe XD both are vector graphics editing tool, but Loyic is a software or tool which gs worked on the web platform and developed by Figma.

You can enable its some больше на странице the additional offline features by different desktop applications while Adobe XD works on both web and mobile apps as a designing tool of vector graphics.

It was developed and maintained by Adobe Inc. We can also use Figma for mobile devices by using Figma Mirror companion apps. Cs Your Free Design Course. There is a lot of еще windows 8.1 freeproduct key 32 bit free все between Figma and Adobe XD but when Adobe XD release it had some lack of features and with passes of time it covers them up and now a days it is giving good competition to Figma.

This is a guide to Figma vs Adobe XD. Here we discuss the Figma vs Adobe XD key differences with infographics and comparison table, respectively. You may also have a ableton live 9 vs logic pro x free at the following articles to learn more —. By signing up, you agree to our Terms of Use and Privacy Policy. Vvs Next Question. Oive Password? This website or its third-party tools use cookies, which are necessary to здесь functioning and required to ableton live 9 vs logic pro x free the purposes illustrated in the cookie policy.

By closing this banner, 99 this page, clicking нажмите чтобы перейти link or continuing to browse otherwise, you agree to our Privacy Policy. Figma vs Adobe XD.

Free Aboeton Course. Login details for this Oogic course will be emailed to you. Definition: Figma is a vector graphics editor as well as prototyping tool /21847.txt works on a web-based platform.

Definition: Adobe XD is also vector editing and design tool which топик windows 7 format fat32 not exfat free ваша on web apps as well as mobile apps platform. The third point of the comparison table is where we can have this software: We can have this software by visiting on the official website of Figma, which is www. Availability: For having this software for learning about it, you can go on the official website of adobe lnc.

The next point of this sequence is Launched date of Fimga: It was initially released in Septemberand the stable release or the latest version of it was released in November Launched date: It was initially released in Marchand a beta version frde Adobe XD released on December 13,and stable release or latest version released on October Supported languages: You can have this software in many different languages such as English, Japanese, French, German, Korean and Chinese.

   

 

Ableton Live vs Logic Pro: which DAW is best for you? | MusicRadar.

   

To help out beginners and often even advanced producers both Ableton and Logic Pro offer on-board explanations of each control and production module. In Ableton, simply hover your mouse over something and a brief description will appear in the bottom left corner of the screen. From my experience, producers with no prior knowledge of music creation seem to pick up Logic way faster than almost any other DAW.

This seems to be primarily down to the spacious, clear layout and module arrangement. The developers clearly put a enormous amount of effort into the spacial design, making it not only highly intuitive, but rapid and responsive.

One example here is loop-based production. Ableton is one of the fastest, most practical DAWs out there. Furthermore, you can optimise almost anything according to your unique workflow. Ableton Live 10 currently comes with 17 instruments and 59 audio effects. Logic Pro X on the other hand, boasts 24 instruments and a whopping 70 built-in effects. It offers two main oscillators plus a third sub oscillator which you can use to shape, bend, squeeze and morph hundreds of wavetables to your hearts content.

These wavetables are derived from classic, synthetic or real-instrument waveforms. Wavetable also offers two filters, endless modulation options, presented with a gorgeous, easy-to-use interface. Not only that, but it sounds magnificent. Each of these plugins comes with a ton of presets, giving you a vast amount of creative possibilities.

When it comes to virtual instruments, one of Logics most prized possessions is the iconic synth Alchemy. Alchemy is a disgustingly powerful synthesizer packaged with over unique sounds and an expansive array of on-board parameters and controls. It also has multiple sound-generating engines, including additive, spectral, formant, granular and virtual analog. Plus, it can act as a sampler instrument for warping importing sound files. Other personal highlights of Logic instruments are ES2 another wavetable synth and Sculpture a unique physical modelling instrument based on real-world glass, wood and other material sounds.

Click here to view the full list of effects in all their glory. On top of that, if you were to purely compare the numbers, Logic has more instruments that Ableton. This activates quick swipe behaviors, allowing you to create and edit comps with incredible fluidity and precision. Indeed, Ableton have done a sterling job of keeping this fundamental part of the system free of clutter. And, of course, prior to Logic Pro With Logic Pro now boasting its own well thought-out and tightly integrated take on the same concept in the shape of the Live Loops Grid, however, that edge has been blunted.

Before we mail the trophy to Cupertino, though, Live still has one feature that keeps it firmly at the top spot for on-the-fly loop recording and launching: Follow Actions. This seemingly innocuous little Clip View control panel gives producers and live performers the means to automate and randomise clip launching within Scenes — something no other DAW can do.

So Live nabs this one. Alchemy — once a pricey third-party instrument, until Apple bought its developer, Camel Audio — is the more overtly powerful of the two, taking in additive, granular and analogue-style synthesis, with four simultaneous sources, tons of filters and copious effects.

Wavetable certainly holds its own, though — a two-oscillator plus sub wavetable synth with over well crafted wavetables onboard, two filters, comprehensive modulation options, and a supremely accessible interface and workflow, that sounds phenomenal. For us, those two factors tip the scales. These newcomers joined an already impressive line-up of distortion, dynamics, equalisation the integrated Channel EQ is particularly good , reverb, delay, modulation and other effect types to give you absolutely everything you need to get the mixing job done.

This round in our face-off goes either way, depending on your primary plugin needs: Live for sound design, Logic for mixing. But there are also marked differences…. In contrast, with its less stratified, comparatively accessible interface, Live is about as lean and mean as DAWs get, and the speed with which the seasoned user can fly around its Session and Arrange Views, Piano Roll and Sample Editor is something to behold.